
It's been suggested to me more than a few times that I should spend some time in the UK; a significant majority of the authors I read (at least, those who I read most everything from) live there. I realized this morning while going through a large group of music I'd put into a higher-play-rate playlist that a similar majority (although not quite the landslide of the fiction-bias) are from Bristol, Manchester, and Birmingham. I've certainly thought about it. There are various other things that at least point to it, including my preference for whisky of
Jura and
Skye (as opposed to
Strathspey and, uh,
Kentucky).
The problem with it is the conundrum of the
Wapanese/Weaboo, the Wigger, the Castizo/Mestizo/Cholo, and whatever it is Feòrag is
referring to here:
... the American women who know all about Irish history and consider you to be an apologist for the English government, as orange as an easyJet tailfin, and possibly not even Irish at all (unlike them and their single Irish ancestor).
The term
apologist is apt, but is such a loaded word, it brings up the same ugly connotations the word
collaborator has. So, forgive me for not having an appropriate proper noun. I think most people in the US will recognize at least a few people they know as having romantic notions about living in Europe (the UK in particular for some reason or other), who consider themselves well-versed in European history. This is often even taken to the absurd length of
acquiring an accent (disclosure: since moving to Virginia, my "r" in the case of "Arlington" has become a little softer, but as far as I know, that's about it). So, does interest in places foreign automatically designate one as culturally mercurial, disingenuous, or some sort of
turncoat? Well, of course not. Not rationally, anyways. I just can't imagine explaining to somebody that I went off to Edinburgh or Bristol to "pick up some of the culture I was obviously gravitating towards" without feeling like a complete nitwit.
I've previously threatened to run off to
Wailea for a few weeks to write the next book. Maybe I should switch oceans. I wonder whether I'd actually be able to get anything written in those conditions. I had a huge uptick in productivity when I was sitting in the hospital in San Diego in December. I don't know whether it's because I had absolutely nothing else to do, or whether the isolation from outside stimuli was the catalyst to action. Perhaps if I gave myself a "no innernets" constraint on my next sequestration, I could use the surroundings as bolster to inspiration or productivity, rather than distraction.